jetpack domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /mnt/stor08-wc1-ord1/694335/916773/www.tvhe.co.nz/web/content/wp-includes/functions.php on line 6131updraftplus domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /mnt/stor08-wc1-ord1/694335/916773/www.tvhe.co.nz/web/content/wp-includes/functions.php on line 6131avia_framework domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /mnt/stor08-wc1-ord1/694335/916773/www.tvhe.co.nz/web/content/wp-includes/functions.php on line 6131I agree that there are a number of factors that influence the expected payoff to investors from the movie, I believe I mentioned risk under the numbered reasons.
So ultimately I think we are saying the same thing, which is super 😉
]]>There isn’t a market for movies. There are several different markets.
Consider (for example) the cheap horror film. Low-grade horror films that cost very little to make are highly likely to make money, because there’s a large rental market for them. Cheap family movies with only a handful of actors are _not_ likely to make money as there’s isn’t a large rental market.
That’s just one example: but it’s a very germane one for NZ because Peter Jackson used it to get going – and because the NZ Film Commission knows that example very well, which is why they keep funding cheap horror films, hence the large number of NZ films in the last few years that are budget horror films.
The question isn’t just about which (G or R) makes more money: it’s also about which type of film is riskier, which type can be done with less capital, etc.
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